Grace Bowers was baptized by rock ‘n’ roll music. She cut her teeth on sweat soaked stages inside dive bars and found fellowship in the divine playing of B.B. King. She once studied six-string scripture – written by Slash and Leslie West – for hours a day, mastering her favorite riffs on a ‘61 cherry-finished Gibson SG.

As an up-and-comer in Nashville, Dolly Parton recruited her for a network television special and Tyler Childers requested that she join him on stage. She’s played with a who’s-who of three-chord storytellers and guitar-pickin’ torchbearers – Lainey Wilson, Christone “Kingfish” Ingram and Susan Tedeschi, to name a few.

And she’s not yet old enough to graduate high school. Phenom? Wunderkind? … Prodigy? No matter what label may be pinned to Bowers, she’s just a teenager who’s putting her faith in rock ‘n’ roll – one song at a time.

“[It’s] a cool thing,” Bowers said. “It blows people’s minds that I’m a 17-year-old girl, playing guitar. And as much as I hate being labeled as that, it’s true.”

But Bowers isn’t just a sought-after 17-year-old guitarist storming jam sessions with her Gibson and a gold-blonde mop of shoulder-length curls, of course. She’s a bandleader and songwriter preparing to leave her mark on some of the biggest stages in music. Her debut album, Wine On Venus – produced by ace guitarist and songwriter John Osborne (of hitmaking country group Brothers Osborne) – hits turntables and streaming services later this year.

Listeners get a first taste of the album on lead single and standout number “Tell Me Why U Do That,” where Bowers and her band – affectionately called The Hodge Podge – deliver a throwback, feel-good tune that comes jam-packed with funk grooves, soul-inspired melodies and a stop-you-in-your-tracks guitar solo. It’s the type of song that dares listeners not to stand up and sing along.

Bowers co-wrote “Tell Me Why U Do That” alongside Osborne and his singer-songwriter wife Lucie Silvas, plus Nashville artist-songwriters Meg Mcree and Ben Chapman.

“I hope this is the one that gets stuck in people’s heads,” Bowers said, with a laugh.

“Tell Me Why U Do That” and the rest of Wine On Venus showcases Bowers’ journey from a teenager who livestreamed bedroom practice sessions on Reddit – sometimes to 20,000+ viewers, no less – to a bona fide album-maker with more than 200,000 followers on Instagram. She picked up the acoustic guitar as a nine-year-old obsessed with so-called “cheesy” hair metal videos. A few years later, her fandom progressed to blues music after she stumbled across B.B. King while shuffling through radio stations in her mom’s car. The proverbial floodgates opened, leading her to discover essential blues artists Mississippi John Hurt, T. Bone Walker and others.

A native of Northern California, Bowers and her family relocated to Nashville two-and-a-half years ago, weeks before her freshman year of high school (Bowers now studies online). Not yet old enough to drive, she continued to grow her audience on social media, becoming a Gibson-endorsed artist by age 14.

She found her way to performing live, taking her skills to dive bars and pay-at-the-door rock clubs before graduating to guest spots at Newport Folk Festival, Nashville’s Big Bash New Year’s Eve concert and her own fundraising gig for victims of the city’s Covenant School shooting in 2023, among others.

How did one teenager cover so much musical ground in such a short time? “Lots of practice,” she said. “Lots of cutting teeth. Lots of not saying ‘no’ to people when I should’ve. Just being stubborn and persistent. I have worked my ass off to make this happen. Just hard work.”

On the album, Bowers and The Hodge Podge graduate from traditional rock and blues influence to sounds inspired by Parliament-Funkadelic and Sly and the Family Stone, she said. The group takes its name from a mixed bag of players that Bowers would invite to share the stage with on a given night. Despite now being a solidified group, the name stuck. The Hodge Podge includes vocalist Esther Okai-Tetteh, bassist Eric Fortaleza, drummer Brandon Combs, guitarist Prince Parker and keys player Joshua Blaylock.

Bowers co-wrote most of Wine On Venus in songwriting circles – a creative exercise that took her “a hot second” to comfortably navigate. But listeners wouldn’t know a first-timer was behind much of Wine On Venus; that’s clear on “Holding On To Something,” a savvy and confident number anchored by a riff Bowers began toying with years ago, she said. The song features a slow-building solo that culminates with harmonized playing and a high-flying howl from Okai-Tetteh. 

“I never forgot [that riff] and I was jamming on it one day with a friend of mine. We were writing some lyrics to it and we called over Esther,” she said. “This was the first time we had ever written [together]. It turned out to be that song.”

And Wine On Venus features a cover of Sly and the Family Stone’s “Dance To The Music” that takes on a Hodge Podge twist.

“It was just fun,” Bowers said, recalling the cover session with a laugh. “If you listen to it, you can hear all of our voices in the background throughout the entire song, which I thought was a cool thing to keep in. That one took us a couple hours to knock out. It was a fun, easy song.”

This year, Bowers and the band take Wine On Venus on the road for a run of dream-making festival shows, including slots at BottleRock Napa Valley, Bristol Rhythm & Roots Reunion, Bourbon & Beyond and Pilgrimage Music & Cultural Festival, among others.

But a booked schedule doesn’t mean Bowers isn’t already thinking about the next project. Like most people who believe in something, she wants to find out where this rock ‘n’ roll journey leads her. 

“I love it,” she said. “Seeing where I can go with it, I still have so much to learn.”